Friday, April 26, 2013

Murder Mystery Party Theme -- They Never See It Coming... A Murder Mystery Party Pack -- By Steve Clark, David Lovesy and Brian Two


They Never See It Coming… A Murder Mystery Party Pack – By Steve Clark, David Lovesy and Brian Two – Customer Taster

The team behind the smash-hit ghost hunting show “Beyond Belief” gather to celebrate the winning of several awards. But one of them is not entering into the spirit of things…

About the full pack

The full pack should provide everything you need to produce your very own murder mystery event. The pack is intended to be used as a sit down meal where the principal characters will act out a set of events and arguments to the assembled guests. Please remember from the outset that this pack is intended for an improvised performance. There is no script or set lines included for the cast to learn. Instead, your cast is expected to use the information included in this pack, develop their ‘back stories’ further and, staying completely in character throughout, improvise the action, dialogue and arguments themselves. This means that your performers are less constrained and restricted, can react and interact with the audience and guests at will and should have a lot more fun!

The full document includes:

*A Plot Overview

*General Staging Notes on how best to plan and stage your Murder Mystery event

*Overview of the Characters (including suggested costumes and ‘props’) Customer Taster here.

*An Appendix containing summary Character Back Stories on each character. One in the Customer Taster document here

The full pack gives the accompanying Downloadable Resources pack of Adobe Acrobat. PDF image files allow you to produce additional materials and resources that will help bring the event to life and enhance the plot.

These include:

*Printable Table Cards to list the key characters to assist the audience

*A promotional leaflet for season two of “Beyond Belief”

*A book sleeve for Darren Black’s new expose book

*Printable ‘whodunit’ Solution Sheets for your guests to complete

You can feel free to customize the details of the scenario. Names and titles of the characters are more fixed if you choose to use the resources provided but should not cause any problems for you. This murder mystery is a light hearted affair and is intended to be as daft and silly as possible; a comic entertainment rather than a serious Agatha Christie style detective story. The plot subject, the secret pasts of the characters and the characters themselves are designed for laughs! All five surviving characters have been given motives and reasons to commit murder – including the investigator, Darren Black. It could have been any of them that did the deed! As such there are no complicated or involved clues for the audience to have to try and deduce or follow!

Plot Overview

Tonight cast and crew of reality TV haunting investigation show “Beyond Belief” are gathering to celebrate their awards from the Fortean Times for “Best Paranormal Entertainment Show” and “Best Use of Night Vision Goggles”. These awards (or “Ghoulies”) are the pinnacle of televisual paranormal achievement.

Prominent guests include:

*Ivor Feeling – Nervous presenter of “Beyond Belief”.

*Fenella de Kay – Tyrannical producer of the award-winning show

*Erika Flora – Show psychic that talks with those beyond the veil.

*Garry Burke – Show researcher and assistant to Fenella de Kay

*Cherry Chabona – The bubbly wannabe whose haunted house helped to put the show on the map

*Darren Black – investigative journalist whose column “Shades of Grey” exposes charlatans

“Beyond Belief” is an entertainment show very much in the mould of programs like “Most Haunted.” Presenter Ivor Feeling takes psychic Erika Flora around various reputedly haunted residences, where Erika tries to communicate with troubled souls from beyond the veil. This show began as one of those “here today, gone tomorrow” shows – with the shows only true value being the entertainment value of watching Ivor melt down into panic every time anything vaguely spooky happens. And then the team visited the home of Cherry Chabona…

It was there that the team experienced and captured phenomena that could not easily be explained. The hype and televising of this episode catapulted the show up the rankings list and created a global brand. The show’s subsequent popularity has led to its recognition and winning of two awards from the Fortean Times’ annual ceremony.

Fenella de Kay will stand up at the guest’s table and thank everyone concerned with their help in making the show what it is. There is a very self-congratulatory tone around the room – but then Fenella drops her bombshell…

It has come to light that the very episode that shot them all to fame was nothing but a tissue of lies and trickery, cooked up by Cherry and the show’s researcher Gary Burke. Fenella has no moral option  other than to reveal all immediately, which will undoubtedly mean the show’s immediate cancellation. There is at least some good news, however, in that Fenella has been offered a very lucrative Producer’s job in the United States – which would have been unable to take whilst under the tight contract with two more years to go on “Beyond Belief”!

The assembled cast are left in stunned shock – there are bitter arguments, and recriminations, not least of which as Cherry’s date for the evening reveals himself to be none other than Darren Black, investigative journalist and exposer of psychic frauds and charlatans.

After the main course, someone is found dead – apparently from heart failure with a look of terror on their face. Someone has been literally scared to death! Darren, as investigative journalist, cannot help but start to pull at the strings to unravel the mystery… Can the diners help Darren to work out whodunit?

General Staging Notes

Casting/Rehearsal

Your chosen performers should be issued with a copy of this entire pack. You should hold as many rehearsals as required depending on experience of performers (2 or 3 recommended). The first rehearsal should concentrate on reading through this pack and getting a feel for how the event is structured and the role that each character has to play in the plot. Before the second rehearsal the performers should further prepare their back stories. We provide example stories in the Appendix and you can use these or write new ones. As it is impossible to rehearse the whole event without that all important audience to react to, you should concentrate on cementing motives and the order and content of the arguments. These can be rehearsed by the performers, more to prove they can improvise and keep up a convincing performance than word for word content!

Facilities required for the performers

The performers need a separate private room for their use. They will use this prior to the event to get changed and prepared and will use the room during the event where they can exchange notes and discuss any change of tactics. The murder victim will also use this room once deceased!

The performers will eat at the same time as the audience. Food for the deceased victim can be brought to the main table and then sent away (and taken to the private room!) for extra comic effect.

Recommended event format

The evening works best if structured round a sit down meal. If the event is being staged in hotel this may be a formal served multi-course meal, but if this was being staged in a hall or private venue you could lay on a simpler meal or even a table buffet. However guests should have a table to sit at to watch and enjoy the action.

Pre-dinner drinks

Before moving to the seated area, we recommend pre-dinner drinks. This gives an opportunity for the guests to mingle and more importantly to meet the characters informally before the action begins (see Meet and Greet below.)

Dining area:

Top table: set for 6 places, used by the principal characters. Positioned in a central location so that all the other guests can see the action. Ideally a clear area in front of this table should be provided to give space for the actors to perform freely.

Tables for the other guests: Depending on facilities and space it is recommended that the tables are spaced to give room for the actors to move around and between them and so be able to interact with the guests.

Although structured around a meal, there is no predefined timing for the action and the courses. If this is a restaurant based event then the serving staff should just be instructed to serve the courses as normal and not wait for any events/action (this saves upsetting the chef!)

As a broad guide your event should run as follows:

7:30 to 8:00 pm Meet and Greet (Pre-dinner drinks)

8:00 pm Sit down and Fenella’s speech (Starters)

8:10 pm Arguments and revelations begin

8:30 pm Someone leaves (Main course)

8:45 pm Someone found dead

9:00 to 9:30 pm Ongoing revelations (Dessert)

9:40 to 9:56 pm Wrapping up!

10:00 pm Solution sheets distributed (Coffee)

10:15 pm Prize giving and denouement

Since the event has a supernatural theme, you could encourage the audience to come dressed for the occasion in suitable costume to add to the atmosphere! The principal characters should also be dressed for their roles.

Improvisation and Performance

Improvisation

As already explained, there is no set script for this Murder Mystery scenario. Your performers are expected to improvise their dialogue, interactions and behavior based on their back stories and knowledge of the plot and their interpersonal relationships. This is not as daunting as it sound! Your performers need to get into character and remain in character throughout. All conversation with guests should be as the character they are playing.

You are bound to get some comments about ‘who dies first?’, ‘are you the murderer?’ at the start of the evening. The trick is to act confused and surprised! What are they talking about? This is a special occasion!

If guests start asking questions that you don’t know the answer to then you can simply make excuses and walk away or steer the conversation in a different direction.

You don’t have to admit your feelings outright, but can hint at your relationships with the other characters, making passing comments about your reaction to something to trigger a response and a question. The most common difficulty is when someone slips up and gives the wrong info from their back story (and guests will sometimes probe into your ‘past’ in depth). Sometimes this is not of consequence but other times it could be important, a date, a place or something that your character should know too. If when quizzed you give the wrong corroborating account of events, this can lead to red herrings as the guests think you are lying deliberately. Therefore, if possible, you realize you have let slip something on the spur of the moment that is nonsense, try and draw the other character(s) aside in time and tell them the new story. And if you don’t have time to do so, and you get ‘caught’ out, make light of the situation and play for a laugh; ‘Have we really been married for 5 years and not 8, well it seemed like even longer to me…!’

You will find there is plenty of opportunity to whisper in corners with the other performers (and when out of the room) to check tactics, prompt actions and arguments (‘right, we need to reinforce our hatred of one another, let’s go and have a fight in the middle of the room’). This is often necessary to keep things on track!

The Arguments

The arguments that are used to move on the plot reveal motives and skeletons in the closet and the complexities of the characters

interrelationships can be split into two types:

Public: The confrontational/explosive challenge as one character rounds on another to contest something that has been said or announced. These can be very public and devoid of subtlety and a slanging match over the tables and even across the room often develops. Once these start the guests will quickly fall silent and pay attention.

Private: These are the types that build from a quiet conversation into a row as things are said that should not be or revelations are made. These can be more subtle. The characters start talking together, beside a table of guests and get louder and more heated as things develop. Gradually the whole room is drawn in to the conversation.

In general the arguments only need to be staged once but if the venue is very large or there is a lot of back ground noise from the guests you can stage the argument and then move to another area of the room to continue the quarrel (repeating the salient points once more).

Overview of the Characters

Ivor Feeling

Male: Playing page 40/50s -- A camp presenter at the end of his career, Ivor has a terrible habit of screaming hysterically at the slightest thing – much to the annoyance of all around him (especially Fenella). He has never really reached the lofty heights he felt he deserved to when leaving drama school. He was destined for stardom, but fell short. This leaves him with a huge chip on his shoulder as he feels the show is beneath him, but is holding on because it’s all he has left.

Fenella de Kay

Female: Playing age 30/40s – Machiavellian ambitious go-getting executive, prepared to do anything to further her career. Manipulative and two faced, and will happily lie to get her own way. This show is nothing more than a stepping stone for her, and she finds it hard to conceal her contempt for both the show and the team around her. She is prepared to use any means available to her to get her own way, including flirting outrageously with all and sundry.

Erika Flora

Female: Playing age 40/50s – She is the show’s Psychic co-host, working with Ivor on the televised investigations. She isn’t really a psychic – at one time she had what she thought was a premonition, but subsequently thinks she was only daydreaming. She now, however, has made a career out of cold reading – always quite vague about the detail convincing enough to dupe the vulnerable and hard-of-thinking. Much to her surprise, following a covert visit from the governing body, she received a glowing OFFDEAD report.

Gary Burke

Male: Playing age 25-30 – Much put-upon and under valued member of the team. He is the show’s researcher, finding and interviewing potential guests and locations for the show. Due to the nature of his job his privy to all that goes on with the crew and cast. More so due to his dalliances with… All the others think he is harmless enough – little do they know he is plotting his own career… Gary is also probably the biggest advocate of Erika as a gifted spiritualist. She has time and time again revealed details from Gary’s life that he cannot explain how she knows. He is in awe of her abilities.

Cherry Chabona

Female: Playing age 35-45s – A mother and Bed and Breakfast owner desperate to escape the everyday drudge. She’s loud, blond and brash – looking for her next fifteen minutes of fame. Having enjoyed the limelight following her appearance on the show, she is now convinced she is of star quality and is at the event tonight to get a commitment from the team to produce a follow-up episode of what phenomena are going on at the original haunt site.

Darren Black

Male: Playing age 30/40s – He has a column in the Sunday papers called “Shades of Grey”, specializing in exposes of all things moonbeams and crystals. He has a book deal pending and has spent the last year researching the world of psychic charlatans. He is currently in a relationship with… -- but she doesn’t know who he really is. He has come as ….’s date tonight.

In the full pack please refer to Appendix A for more info on the characters, their likes and dislikes and back stories.

Plot Narrative

Meet and Greet

All the guests are regular people, but the TV show’s demographic suggests that the fans and groupies of the show would tend towards the New Age style of dress – maybe you could encourage your attendees to dress as such! The key characters need to introduce themselves and each other to the assembled guests before the event really kicks of (see General Staging Notes above for how best to do this).

The characters should arrive over the space of 15 minutes during this informal section. Recommended order: Gary Burke first, paving the way for Fenella de Kay. Then Cherry Chabona and Darren Black should arrive arm-in-arm (although Darren will just be introduced as Daz initially as Cherry doesn’t know who he really is). Finally Ivor Feeling and Erika Flora will enter to lavish applause from the rest of the team.

They should introduce themselves to the guests, and interact with one another. They can make throwaway remarks about the other characters, sowing the seeds for any mistrust, dislike and personal conflicts. It is important that during this opening session the characters get to mingle and introduce themselves with all the guests to ensure that everyone feels involved and gets a feel for what is going on!

The guests should then be invited to take their seats for the meal.

The Speech

Once seated and settled, Fenella stands and welcomes everyone there tonight for their help and support in getting “Beyond Belief” to the position that it holds today. The following points should be covered in the speech:
*A welcome to the guests.

*An introduction of the other principal characters for anyone who’s missed them.

*How pleased she is to have won two prestigious awards from the Fortean Times as part of their annual awards for the investigation of all things paranormal (informally known as “The Ghoulies”), and the thrill it was to walk away from the event with a pair of Ghoulies.

*It was a gamble on her part, but the production company has decided to push forward with the three-year contract she signed up to in order for the show to be made in the first place. This secures two further years of “Beyond Belief!” on our screens.

There is a general celebration amongst the special guests at this announcement, but Darren stands up and makes a brief announcement of his own, and others give some particular points…

The Murder

Arguments before the murder

After these revelations, the performers should feel free to move about and work the tables and not stay sat the top table. The characters should mingle and engage in dialogue with the other guests, expressing their amazement and reaction.

While this is going on, there should be some predefined arguments/heated discussions should take place (suggested in the full pack). This can be done at the top table, in the area in front of the table or anywhere around the room (if the venue is very large then the arguments can be held twice or more at different points around the room if necessary.)

Darren Black is furious with… With the press releases going public from Monday, it makes his entire book effectively redundant. The book’s revelations will all be second hand by the time it is launched. Why must … … … now?

Gary Burke is stunned. Yes, there was indeed fraud perpetuated in that episode of Beyond Belief but it was orchestrated between … … …. He feels hurt and betrayed, particularly as … … … have been having a sexual relationship for quite some time. Why is he not coming across to the USA too?

Ivor Feeling was finally getting to be somebody and now it looks like his series is being ripped from him. Even though he is not being accused of foul play, the mud sticks. He’s never gotten on with … anyway and this is the icing on the cake.

Erika Flora is well aware she has no real psychic abilities. Without her “Beyond Belief” anchor she is going to be reduced to … etc…

Cherry Chabona was relying on … and … etc. … further details in the full pack

If your venue permits and you can manage it without causing consternation with the guests (!), if possible someone should trip the fuses to the lights – just for a few seconds. The wider the trip the better, to cover the bar and other locations the audience might have strayed to, but even just the room lights where the guests are eating will do! This will need to be done by a member of staff/someone else in the know.

The other characters should all return commenting on the brief blackout, … All the characters should react with horror and shock at the murder (of course!) Who could have done this?

The Further Revelations

Even after … … there are further revelations to be made. Whether in argument form or gossip for going around the tables, the following information should also be imparted…

*There is bound to be much speculation about the cause of death – can someone actually be scared to death? ...was found with … … a table lamp… with some subtle hints, someone in the audience may suggest that … was …. If no one does, then one of the actors should. All have the necessary knowledge of … … but who had the motive and actually did it?

Darren has had …

Ivor has always hated …

Gary has always been in awe of …

Fenelle

Gary had been …

Motives for murder

Everyone had a motive: All also have method – a knowledge or past connection with electrics (which will have been dropped into conversation). These are disclosed in the full pack.

Who Dunnit?

The audience are asked to assist with identifying the murderer… to save time and effort for the Police when they finally arrive! Solution forms (and pens) are distributed to the guests and the performers retire to their room to give the guests time to complete their forms. After giving the guests 10 minutes or so to make their deductions, the forms are collected and the characters in the privacy of their room select the winner and the booby prize!

Denouement and Prize Giving

The surviving characters return to the dining area. A summary of the events of the night is repeated and the real murderer is invited to step forward from the line up (you can milk this for tension and laughs by all characters twitching and almost stepping forward.)

… is the murderer. … will explain the motives to the audience. … Good riddance! The dead are invited to return and … joins the other characters (… brings the prizes when … comes).

The chosen winner is announced (and the solution they gave read out) and a prize awarded. (A bottle of wine/champagne.) The booby prize is announced (and the solution they gave read out) and a prize awarded (a silly theme related gift.) If there were a number of amusing sleuthing answers you can read out a shortlist of howlers. The audience is thanked for their sleuthing skills. The cast takes a bow and a get a rousing round of applause!

Appendix A – Detailed Character back stories

Full details in the Full Pack

Your performers can use these as the basis for their stories. Feel free to embellish, modify and personalize! Your performers should learn these, both their own and each others. In particular they should be familiar with information that they would know about the other characters.

Please note: each have a more than basic understanding of … and so each could have rigged the table lamp to … .... This is explained as a note in their back stories and it is up to the actors to drop that into conversation with the audience to drop hints/red herrings.

Customer Taster Sample

Ivor Feeling

Ivor’s home is a small cottage at the foot of Snowdon in north Wales. He says he lives there because he finds sit peaceful and spiritually fulfilling. The main reason however is more mundane, property prices were cheaper there in the seventies, and it was all he could afford. His career has never really taken off, but despite that he has always tried to maintain a showbiz lifestyle, albeit on a very low income. He drives what he calls his beautiful eccentric vintage Citroen that he refers to as Hercule. (After Hercule Poirot). However it is in fact falling apart and well past its sell by date. He often finds himself in two minds as to what to do in even the simplest situations, but that Geminis for you! His only true love is a Labradoodle called Oscar, named after another misunderstood thespian, his hero Oscar Wilde. He has an uncomfortable relationship with the media business and in particular the press, he sees them as a necessary evil, but in his eyes he has been treated unfairly in the past. Due to this he doesn’t really get on with any of the crew or production team, but he has a particular dislike of … who calls …!

Knowledge: In the mid Eighties, Ivor hosted a very short running kids show called ‘…’. Each show kids would be set … challenges. Not only was it dreadful, but after an accidental … that nearly killed the teenager, the show was canned mid first series.

Thursday, April 25, 2013

Murder Mystery Party Theme -- The Business of Murder! -- A Murder Mystery Entertainment by Mike Standing


The Business of Murder! – A Murder Mystery Entertainment By Mike Standing

Customer Taster

Sir Alan Sweetener is not a very nice boss, so when he announces he is going to sell the family business to an asset-stripping company, everyone (including his own family) has a motive for murder.

About this taster and the full pack

The full pack should provide everything you need to stage your own Murder Mystery. This Business of Murder is a murder/mystery designed to be played by 10 actors plus Presenter (the Master of Ceremonies) and one non-speaking extra (who might be doubled by the Presenter.) The actors perform two formal scenes, then mingle briefly with the audience, taking audience questions. The audience try to solve the mystery. There are three possible endings, with a different guilty party in each. The mystery is assumed to be performed on a stage, with the action interspersed between courses of the audience’s meal.

The Full Pack Includes:

*General Notes

*The main script, including three endings (extract in this taster)

*Additional Character Information (in this taster)

*Props List (in the organizer’s overview)

*Timing Guidelines (in this taster)

*”Whodunnit” sheets for guests to complete (separate document)

Suggested Timings

All timings are for guidelines only!

*7:00 pm Meet and greet; pre-dinner drinks

*7:30 pm Prologue

*7:32 pm Serve starters

*7:45 pm Act One

*8:15 pm Main Course

*8:45 pm Act 2 and Presenter’s summing-up

*9:20 pm Dessert; suspects mingle with the audience

*9:35 pm Audience complete whodunit forms

*9:40 pm Coffee

*9:45 pm Denouement and prize-giving

Other timings could be accommodated. Agreeing the timings with your caterers, will help the event to run smoothly! (Whilst revenge and gazpacho soup are best served cold, other dishes may be less accommodating.)

Character Profiles

Sir Alan Sweetener

I’m Alan Sweetener, part owner, Managing Director and Chairman of ‘Sweeteners Sweet Things’, a confectionary company founded by my grandfather over eighty years ago. We make luxury sweets and chocolates and I’ve been in charge of the company since my father died last year. I own the company with my two sisters Victoria and Constance, and to be brutally honest, they are both a bit simple and shouldn’t be allowed anywhere near a box of chocolates, let alone a boardroom! Luckily, our dear father left me in control of their finances, but just recently they’ve started to question the legality of their situation and trying to upset my plans for the company. I consider myself a reasonably fair but tough boss, and I won’t stand for any nonsense from my employers. I’ve been feeling a little unwell lately, stomach cramps, feeling sick, etc. but my secretary tells me it’s probably only stress, and I do hate doctors. Oh, by the way, it is not just ‘Alan’ but ‘Sir’ Alan!

Victoria Sweetener

I’m Victoria Sweetener, and with my dear sister Constance, try and think up new, exciting recipes for our own brand of chocolates. At the moment we are working on a new line exclusively for a certain section of the public, and a sample box will be sent up to Alan from the production line. Of course, Alan always has to test them first – but I bet you anything he won’t like these! Connie and I were brought up in a very strict household, and I’ve always had to look out for her as she get a little confused at times, but we both worry sometimes what Alan is up to and what direction he is taking the company in. My hobbies, (with Connie) are mainly focused on gardening, especially plants of an exotic nature. At the moment we have a big problem with bindweed and have had to get some really strong weed-killer to it! I’m very interested in ready, especially Crime fiction and books about real-life murders! Oh, and fairly recently I’ve completed a home study course in ‘The art of Confectionery’. Well that’s what my Certificate says anyway. I must confess that I do like to add a few mystery ingredients of my own!

Constance Sweetener

Hello, I’m Constance! Or Connie, to my sister Victoria, and brother, Alan. I’m Victoria and Alan’s sister. Oh, I’ve said that already! Silly me! Victoria always looks out for me and helps me when I get into a muddle. I don’t really do much except help Victoria with the recipes for the chocolates, although one of my main responsibilities is to make sure Alan gets his two ‘special’ chocolates every day – he especially likes the ‘Ginger and Orange Surprise’ one that we make. He has one in the morning and one in the afternoon. I have a secret love who works in the sales office and that’s Toby. He’s only been here for about two months and his past is a little bit of an unknown, but I don’t care, it was a case of love at first sight! I’m sure he loves me, in fact I’m certain of it! My dream is to have him live with us and then I could make his breakfast for him every day – and make sure he was neat and tidy before he left the house. Of course, I would choose all his clothes from the very best shops… And… and I’d better stop now before I say anything silly!

Nick Brewer

I’m Nick Brewer and I’m supposed to be Sir Alana’s right-hand man – but I’m very often kept in the dark about the decisions he tends to make. I’m the accounts manager – but here again, Sir Alan is always interfering and trying to manipulate the figures for his own ends. He calls it ‘creative accounting’, but I think he’s up to something and has been for several months. Mind you, he has been a bit under the weather lately so perhaps that’s why he’s been like he has. I’m also the personnel officer and in charge of the health and safety department. I was really annoyed when my old friend and colleague, Brian Adamson was sacked by Sir Alan ten months ago after a regrettable incident involving a business deal that went wrong. Personally I don’t think Brian was at fault, but Alan, as usual, managed to shift the blame! I’d like to tell you more about recent events concerning the company, but I’ve already recently come back to work after a short spell in the hospital – I have what they call ‘Infectious Endocarditis’ and I’m on a special long-term course of penicillin based antibiotics. They are really strong stuff, and I have to be really careful I don’t overdose! I also suffer from diabetes type one, which doesn’t make life any easier as I have to inject myself every day.

Hannah McCanna

I’m Hannah McCanna and I’m married to Bill, and we have two children. I say ‘children’, but they are both at University – Jamie in his second year and David in his first, so things are a little bit tight financially, to say the least. Bill is a self-employed Courier and he delivers business packages all over the County. He suffers from Asthma quite a lot and has to take time off every so often. I’m the purchasing manager and it’s my job to source the packaging and raw materials that go to make our lovely chocolates and sweets so attractive. I think I’m quite good at my job and Sir Alan doesn’t interfere much in my department – although there was one occasion last year when we had a blazing row over some supplies I had purchased from companies based in Hong Kong and Shanghai, which were offering really good discounts and terms. Sir Alan didn’t like the idea of deserting our usually supplier, but in the end he had to concede. I think it was a case of the ‘old boys’ network to be honest. He actually hasn’t spoken to me much since then – just the odd grunt occasionally! Still, we must be grateful for small mercies, mustn’t we?

Stella Remington

I’m Stella Remington, and I’m the ‘Production Manager.’ That means that I’m in charge of the production line, making sure that we meet our order commitments and that our line staff are fully trained and kept busy. It is also my responsibility for the ingredients that go into all our products are of the correct quality and measure, making sure that no ‘foreign bodies’ get into the system. I don’t have much to do with ‘Sir’ Alan, but I do get some strange requests from time to time from his dopey sisters, usually about recipes they’ve invented for a new range of chocolates. I live with my boyfriend Danny, and he works at the local Casino – it’s called the ‘Starlight Club’. Luckily, it’s only five minutes away from here so I can sometimes nip out to see him when I’m not busy – or when no-one is looking! Some people say that I can be officious and abrupt – but I don’t think so!

Angela Darling

I’m Angela Darling and I’m temporarily in charge of the Marketing department as the previous Manager, Brian Adamson, was sacked ten months ago after a bad business deal turned into a fraud scandal which involved him, his son-in-law Steve Wood, and Sir Alan. Brian always denied being involved and was never charged, but Steve was sent to prison for five years. Brian never worked again and it completely destroyed him. In the company it is termed as ‘The Sweetener effect.’ Still, I don’t mind, because when Brian went, Sir Alan asked me to temporarily take over the role as Manager with a strong possibility of promotion. But that was ten months ago and nothing has been done about it yet! I believe I’m good at my job and I hope Sir Alan will eventually recognize my abilities and the valuable contributing that I make to his company. I live on my own, except for two, big, boisterous cats which I adore. Oh, and I’ve recently bought a new car and moved into a new flat, although my new neighbors now tell me they’ve had problems with vermin the area – probably rats. No-one seems to be doing anything about it, so I suppose I’ll have to get something myself to get rid of them.

Karen Underwood

I’m Karen Underwood – Sir Alan’s secretary. I’ve only been here six months, but I’ve settled in okay thanks largely to Nick Brewer who helped me get the job. He’s actually an old friend of my father who also used to work here, but he’s not been very well for a few months now, and I have to look after him at home. I used to work at the General Hospital in the Pharmacy, but the hours didn’t suit me for looking after dad. I like to keep my private life private, if you know what I mean, and I don’t socialize with the others as much as I haven’t got much in common with any of them.

Toby Jugge

I’m Toby Jugge. Yes alright, I know it’s a funny name, but I’m used to it! I was teased mercilessly at school and I’d like a pound for every stupid, hurtful comment that’s been directed at me. I can’t think what possessed my parents to do this to me, but I can only guess that as they were Dutch they didn’t realize what they were doing. Anyway, my parents obviously didn’t like what they produced and when I was two, they promptly abandoned me to an orphanage and left for a hippy commune somewhere in India. They were never seen again. So you see, I’ve had to make my way through life all on my own and by my own efforts – perhaps this is the reason I don’t make friends very easily. Although having said that, I’ve managed to make two friends in the shape of the two ‘Mad’ sisters, Victoria and Constance. They are both totally bonkers and I’m sure ‘Sir’ Alan would love to get rid of them, but they seem to like me well enough and I know they regard me as a sort of protégé – which is fine by me. I’ve only been here two months but I’ve settled in quite well. I work in the sales office at the moment but find the job a bit mundane at times. I’d like something a bit more challenging really and I was thinking of leaving, but I may stick around for a while – I think something BIG is going to happen, and soon!

The Business of Murder! – Script Extract

(The action takes place in the boardroom at ‘Sweetener’s Sweet Things’ confectionery factory.) (There is a large conference table Down-stage Right, with 1 large chair & 4 other chairs behind it. There are a further 3 chairs across the stage Down-stage Left. A drinks cabinet stand Up-stage Left. With water, glasses, cups and saucers and a small coffee machine with milk, sugar, etc. There are framed portraits of Sir Alan, his father and grandfather around the walls and 2 pictures of the company’s first sweetshop. There is 1 door Up-stage Right to the private office and 1 door Up-stage Left.)

The Prologue

(Suitable theme music is playing. The House lights go down and as the curtains open on an empty stage, stage lights go up and the music fades.) (The Presenter enters and addresses the audience.)

Presenter: Ladies and Gentlemen, good evening to you all and welcome to our Murder Mystery Evening at ‘Sweetener’s Sweet Things’ Confectionery factory. This, (Indicates the set) is the Boardroom where Sir Alan Sweetener ‘sacks’ his poorest performing employees on a regular basis. [Optional opportunity for a topical joke] In a moment you will be served with your starter, but first in the event of the fire alarm sounding, please make your way to the nearest exit. Please do not worry about Sir Alan or his employees – they will already have left the building! Ladies and Gentlemen, we will come back to this scene in a little while, but for now, I need go give you some information about your role. We know that at some point, one of the characters in the play will be murdered. Later on in the proceedings, you will be asked as to who you suspect the murderer is, why they were murdered, and how it was done. You will do this as a team – the team consisting of the members of each table. Each table will need to elect a team captain. You can do this now or during the main course. But for now I understand that your starters are ready. (The Presenter exits.) (House lights up – and stage lights down – play theme music, then fade – curtains remain open.)

Starters served

(When the starters are finished and cleared away, play theme music, the house lights dim, stage lights up, the music fades.)

Act 1

(The curtains are already open. Angela enters alone, looking furtive and proceeds to listen at the ‘private’ office door. She has coffee, sugar, etc. in a shopping bag and moves to put them on the drinks table. She is then joined by all the others, except Sir Alan and Karen who will enter late! The cast come forward one at a time and introduce themselves after which they take their places. Victoria has a magazine, Constance has knitting which she will do all through the first act. Victoria steps forward and addresses the audience.)

Victoria: Hello, I’m Victoria Sweetener, sister to dear Constance. Our brother Alan runs the company and we just do as we are told, basically – although we do attend meetings and try to have our say. (Sits 2nd chair Down-stage Right) Connie! Your turn!

Constance: (A bit nervous) Hello, I’m… I’m… Constance! Yes, that’s right, Constance. I’m Victoria and Alan’s sister. (She looks to Victoria for reassurance) We both have a friend who works in the sales office, and that’s Toby. He’s very nice and we both secretly would like to take him home and look after him, (getting carried away) and in the mornings we could cook him breakfast, and dress him on lovely clothes, and comb his hair and… And…

Victoria: (Calling out) Connie…? Connie…? That’s enough dear. Come and sit down. (Constance sits 1st chair Down-stage Right next to Victoria)

Nick: Hello, I’m Nick Brewer and I’m supposed to be Sir Alan’s right-hand man – but he always makes me sit on his left for some reason! Oh, I’m also the accounts manager and in charge of the ‘health and safety’ department. (Sits behind table, Second Left)

Hannah: Hi, I’m Hannah McCanna and I’m married to Bill, and we have two children. I’m the purchasing manager it’s my job to source the packaging and raw materials that go to make our lovely chocolates and sweets look so attractive. (She sits on one of the chairs Down-stage Left)

Stella: I’m Stella Remington, and I’m the ‘Production Manager’. I live with my boyfriend Danny, and he works at the local Casino – it’s called the ‘Starlight Club.’ (Abruptly) Some people say that I can be officious and abrupt – but I don’t think so! (Stella sits Down-state Left with Hannah)

Angela: Hello, I’m Angela Darling and I’m temporarily in charge of the Marketing Department as the previous Manager, Brian Adamson, was sacked ten months ago after a fraud scandal which involved him, his son-in-law Steve Wood, and Sir Alan. I live on my own, except for two big boisterous cats which I adore. Oh, and I’ve recently bought a new car and moved into a new flat, although my new neighbors now tell me they’ve had problems with vermin in the area – probably rats. (Angela sits Down-stage Left with Stella and Hannah) (Toby now addresses the audience)

Toby: Hi, I’m Toby – Toby Jugge. Yes alright, I know it’s a funny name, but I’m used to it! I work in the sales office at the moment and although I’ve only been here two months, I managed to make two friends in the shape of the two ‘Mad’ sisters over there! (Toby waves to Victoria and Constance – they wave back excitedly)

Toby: I’m not a manager, so I’m not invited to this meeting, so bye… (He exits Up-stage Left) (Sir Alan Sweetener enters from the ‘private’ office – as he approaches center stage, the others stand)

All: (Loudly, like children) Good morning, Sir Alan! (Sir Alan turns to face them, then ‘sits’ them down with a gesture from both hands)

Sir Alan: (To audience) I’m Alan Sweetener, part owner, Managing Director, and Chairman of ‘Sweeteners Sweet Things’, a confectionery company founded by my grandfather over ninety years ago. I’ve been feeling a little unwell lately, stomach cramps, feeling sick, et cetera, but my secretary tells me it’s probably only stress, and I do hate doctors. (He starts to go, but stops and shouts at the audience)

Sir Alan: Oh, by the way, it’s not just ‘Alan’ but ‘Sir’ Alan to you lot! Just you remember that! (He sits down behind table at center) (The door opens and Karen enters – she has various shopping bags and a rucksack)

Karen: (Arriving in a rush) Hello everyone, I’m Karen Underwood – Sir Alan’s secretary. I’ve only been her six months, but I’ve settled in okay thanks largely to Nick Brewer who helped me get the job. He’s actually an old friend of my father’s who also used to work here, but he’s not been very well for a few months now, and I have to look after him at home. I used to work at the General Hospital in the Pharmacy, but the hours didn’t suit me for looking after Dad. Sorry I’m late but I missed the bus and so I ‘phoned for a tax and when it turned up the driver was foreign, Albanian I think. He said his name was Zamir, but he was okay, and then my favorite necklace broke and the beads went everywhere. But Zamir was very charming and helped me find all the pieces – he said not to worry too much as it only looked like a cheap Oriental one anyway. I told him not to be so cheeky! And then I tripped coming up the stairs and of course my bag split open…

Sir Alan: (Interrupting) Yes, Yes, never mind all that nonsense, pull yourself together and get over here!

Karen: (Stands at end of table, still fussing) Sorry, sorry everyone!

Sir Alan: Yes, yes! Sit down for heaven’s sake! (Karen sits at the end of the table next to Nick – she opens the laptop)

Sir Alan: Now, listen everyone, and don’t interrupt. I’ve asked you all here…

Victoria: (Interrupting) Where’s Toby gone? I can’t see him.

Constance: No, I can’t see him either.

Victoria: I do like Toby, he’s like a breath of fresh air.

Constance: I like him too – in fact, I think I love him.

Victoria {(Together)

Constance: {Yes, we both love him! Is he going to come back?

Sir Alan: No, I’m afraid not. Now, if you could both be quiet – we must get on. I’ve asked you all here because…

Victoria: Why? Why isn’t he here – we want to know!

Victoria: {(Together)

Constance: {Yes, we want to know now!

Sir Alan: Will you be quiet! You’re embarrassing yourselves as well as me! If you can’t keep quiet I’ll have to ask you to leave.

Victoria: Very well, but it’s under protest.

Constance: Protest. (Sir Alan glares at them)

Sir Alan: Karen, get me a glass of water for my stomach powders will you?

Karen: Shall I put the powder in for you Sir?

Sir Alan: Yes. When you’ve done that get me some strong coffee – and don’t forget I take three sugars. Then you can take notes.

Karen: Yes Sir Alan. (Looking around) Shall I get coffee for everybody?

Sir Alan: Certainly not! They can have coffee in their own time! Now then, I’ve asked you all here because I have an important announcement to make, and it will affect all of you. (Pause) I’ve decided to sell the company! (There is an outcry from everyone along the lines of “What? Sell the company?”, “Why?”, etc.)

Stella: What does this mean for us? What about the money we all put into the company two years ago?

Angela: Yes we all put in equal amounts to help out when it looked like we were going bust. We trusted you and your father with that money, and to keep to the agreement!

Sir Alan: Most of the money you all put in helped to pay off the debts we had at the time, and very grateful we were, but it was only a verbal agreement – between you and my father – nothing to do with me. When my father died last year the agreement sort of died with him, and in any case I think you’ll find you agreed that you would allow us to use the money as we saw fit, and none of you would see any return for at least five years and that if any of you left the company, then your share would be forfeit. It was designed so that everyone who invested would be motivated to take the company forward. (Karen brings Sir Alan his water – he looks at is suspiciously then drinks half the contents)

Stella: Huh! Designed to give you more opportunity to waste money. Our money!

Sir Alan: Waste? I don’t know what you are talking about. It’s all in the accounts.

Nick: Ah, I’ve been meaning to talk to you about that, Alan. When I was checking your figures, I found a discrepancy in the Pension fund, I am extremely…

Sir Alan: (Interrupting) Not now Nick. Now isn’t the time! (Karen brings Sir Alan his coffee)

Nick: But I think you should know that…

Sir Alan: (Interrupting) I SAID, NOT NOW!

Karen: (Thinking it’s her that’s in the wrong) Oh, sorry! (Karen starts to take the coffee away)

Sir Alan: Not you, you stupid woman! Nick, where did you find her? (Meaning Karen) She’s totally useless! (Sir Alan takes his coffee – Karen is visibly annoyed)

Hannah: Hold on a moment. What’s all this about the pension fund accounts?

Sir Alan: Nothing for you to worry about, I’ll make sure the fund is as it should be.

Hannah: As it should be? Why, what happened?

Stella: More like, what have you done? What’s he done Nick?

Nick: Alan? Do you want to tell them, or shall I?

Sir Alan: I… Er… May have borrowed a small sum out of the pension fund for an important investment opportunity – it was going to come back threefold.

Nick: But it didn’t?

Sir Alan: No. It was all rather unfortunate. The company I invested the money in went bust a month later. It wasn’t my fault.

Hannah: What are we talking about here? How much did you lose?

Sir Alan: (Quietly) All of it.

Hannah: What!? I didn’t quite catch that!

Sir Alan: All of it! Damn it!

Hannah: All of what? How much have you stolen from the pension fund?

Sir Alan: I haven’t stolen anything – just… Borrowed it.

Hannah: How much!?

Nick: About half, isn’t it Alan? (Sir Alan nods – everyone is getting exasperated.)

Angela: So what possessed you to ‘borrow’ from the pension fund? That’s illegal, isn’t it?

Sir Alan: It’s perfectly normal business practice. Lots of companies have…

Stella: Rubbish! It’s only normal business practice if you’re someone like Robert Maxwell, and look what happened to him!

Angela: Yes, you should have left that fund alone – it’s our money after all! (The meeting erupts, with people shouting “Yes! What are you going to do about it?” “How many more lies?, etc.)

Sir Alan: LISTEN! There’s only room for one loud-mouth in my company – and that’s me! If you just listen and don’t interrupt, I’ll tell you. Things haven’t been going well as I’m sure you are all aware, sales are down, costs are rising rapidly, the wage bill is going through the roof…

Angela: What!? We haven’t had a pay rise in three years!

Hannah: No. None of us – all except you lot of course!

Karen: I haven’t had one!

Sir Alan: (Ignoring Karen) By that remark, I presume you mean myself and my sisters?

Hannah: Well, yes – you are the ones who supposedly run the company.

Constance: (All innocence) Do we?

Victoria: Yes dear.

Constance: (Simple) Oh, that’s now.

Sir Alan: Shut up, will you! None of us has had an increase in salary in that time either.

Stella: No – but you’ve all had a big fat bonus – three years running.

Constance: Have we?

Victoria: (Frowning) Hmmm. I don’t think so.

Sir Alan: I SAID SHUT UP! But that’s always considered separate. It’s what I’m entitled to – it’s all perfectly legitimate.

Angela: Entitled to? Legitimate? It’s just a joke! You can pay yourself what you like!

Sir Alan: Well, I suppose that’s true – but within reason of course – always within reason. In fact, if you look at the figures you’ll see that percentage wise, year-on-year, my bonus totally decreased in value.

Stella: Eh? I can’t believe what I’m hearing!

Victoria: Oh, you should my dear. He comes out with this sort of thing all the time. (There is an awkward silence)

Hannah: So where does all this leave us? Who are you proposing to sell the company to?

Sir Alan: Well, I don’t know if I can tell you just yet, the deal isn’t finalized.

Hannah: But I think we have a right to know!

Sir Alan: As I say, it’s not a done deal yet and nothing has been signed, but if you really must know, the company in question is Blackrock International Holdings.

Angela: Blackrock International Holdings? Who are they? They’re not in the Industry are they?

Nick: No, they’re a private equity company who look to restructure, then sell the business on, ready for a likely-stock-market floatation.

Hannah: I’ve heard of them. They own the ‘Candy Corner’ chain, or biggest rival.

Nick: I believe they also last year bought out Pickering confectionery – but they folded soon after. There were rumors of asset stripping, all the staff of course ended up down the job-center.

Angela: I don’t like the sound of that.